Performance Pacha Mama

English: https://www.inquirer.com/news/humboldt-environment-art-philadelphia-latino-exhibit-20191203.html

Spanish: https://www.inquirer.com/news/humboldt-america-latina-naturaleza-arte-filadelfia-20191203.html 

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Fotografía: Jesenia De Moya Correa and David Acosta

Pacha Mama Salome Cosmique 1The Unity of Nature

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Muestra Dislocada/ Dislocated

Muestra Bogotá

Muestra Oaxaca

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MuestraPhiladelphia, PA

Stand in solidarity with the LGBTQ comunity.IMG-20191010-WA0014IMG-20191012-WA0004IMG-20191012-WA0006IMG-20191011-WA0003

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Performance Show Renacer

“Also featured on the gallery’s opening night was a performance by Colombian artist Salomé Cosmique. The act was a window into Puerto Rico’s history of disenfranchisement at the hands of the U.S.

As different moments in the history between the U.S. and Puerto Rico were displayed on a screen to the tune of the Puerto Rican national anthem, Cosmique brought out a Puerto Rican flag and laid it next to a pile of sand and stack of papers.

One-by-one, or sometimes two-by-two, Cosmique displayed to the audience the different historical moments written on each piece of paper — from the transfer of Puerto Rico to the U.S. following the Mexican-American War to the recent protests that ousted then-Governor Ricardo Rosselló — before burying them beneath handfuls of sand atop the Puerto Rican flag.

The performance ended when Cosmique pulled the flag from beneath the pile of sand and papers and laid it on top of the scattered fragments of history, representing a new beginning for the island in the name of the performance: Renacer (Rebirth)”. Nigel Thompson. Al dia News.

“The Rebirth performance took place on the exhibit’s opening night. Cosmique used paper sheets to portray — without words — the most emblematic moments in history of the relationship between Puerto Rico and the U.S. mainland. Crouched on a blue tarp and throwing sand over her body and the Puerto Rican flag, the Colombian artist said the performance offered a critique of how these events are frequently forgotten” JESENIA DE MOYA CORREA. The Philadelphia Inquiere

 

Performance Show by Salome Cosmique (2) (1) (1)

Photographer David Acosta

https://aldianews.com/articles/culture/social/nor-wind-nor-water-new-exhibition-dedicated-puerto-rican-recovery/56273

https://aldianews.com/es/articles/cultura/social/ni-viento-ni-agua-una-nueva-exposicion-dedicada-la-recuperacion-de-puerto

https://www.inquirer.com/news/philly-puerto-rican-healing-art-exhibit-recovery-20190823.html?fbclid=IwAR10iw11mS2mrVwMkXA383RzW4BUMKsMK8ZsapD-3IUKQbNowRI06Qkybv4

 

https://www.inquirer.com/news/exposicion-arte-puertorriqueno-filadelfia-sanacion-huracan-maria-20190823.html?fbclid=IwAR0NiqzOuFSeZhOxeCuO8dBEiwqgIxFS7SOAJiZJ2lGyCtZYlhWBKLelLDU

 

 

 

 

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Cuerpos al Vacío

“It was a particularly windy Saturday afternoon when the journey from the Philadelphia bank of the Delaware River to Camden, NJ, began. In three months, Colombian artists Adrian Hueso and Salomé Cosmique planned a symbolic trek across the Ben Franklin Bridge they called “Cuerpos al Vacío.” The hour-and-a-half performance on April 27 highlighted the experiences of immigrants crossing the U.S. southern border. Their inspiration came from the children at the center of the chaos”

“Cosmique said she loves to hear the different languages of Philadelphia’s diverse populace on a daily basis. For her, this dynamic is integral to the richness of the U.S”

“We’re all immigrants in the U.S.,” said Cosmique.

Nigel Thomson of Al dia News

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Photographies: Nigel Thomson, Yesid Vargas and David Acosta

https://www.aldianews.com/articles/culture/social/cuerpos-al-vacio-when-performance-art-and-immigration-collide/55496

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Sakti Exhibition

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Next Exhibition! Ganesha, 2017

Perennial Visions@DVAADecember 5th

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Errante, 2018

International Performance Festival Conquista Ruas,  Vitória da Conquista, Brasil.  August 1st to 4th, 2018

9 Encuentro de Performance AVD October12th 2018. Brasil- Colombia

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